Showing posts with label Sequential art. Show all posts
Showing posts with label Sequential art. Show all posts

Sunday, 15 August 2010

Siege by Brian Michael Bendis

It took me just a couple of very intensive reading hours to get through Siege. I had read some of Brian Michael Bendis' work before, as Powers, House of M and Civil War but this time he hit the spot. I couldn't stop reading until I reached the end and I would have continued all night long if there was more.
"The Marvel Universe is under the control of its greatest villains. Norman Osborn - the man previously known to the world as the Green Goblin - is the commander of H.A.M.M.E.R., the international peacekeeping force." This part of the story starts with Siege: The Cabal, where the reader is shown Osborn's madness is again overwhelming him. As he goes paranoid and while, after losing Namor and Emma Frost's support, Doom leaves the cabal and actually attacks him, Norman is seen falling prey to Loki's mischief. Afterwards the book collects Siege #1-4, where the attack on Asgard actually happens and comes to a somewhat surprising and close to apocalyptic end.
Siege is a very interesting story from the beginning, having its roots in the latest big Marvel events, probably better noticed by those following the cabal and also Thor, told just at the right pace to make the reader feel excited but not like jumping pages to the end. It's easily understood by anyone that knows what's generally been happening in the Marvel Universe. The war on Asgard allows the author to bring a lot of heroes and villains into play and still be able to peek into their personal troubles, their personality, so that by the end of this event, everything could change or just come back to normal, and all would be fairly within limits of credibility.
SPOILERS
As Osborn's, the full power of H.A.M.M.E.R. and the initiative are attacking Asgard, Steve Rogers gets the true Avengers into play, joined by Fury's Secret Warriors and later by a still recovering Iron Man into play. They manage to beat the attacking forces and disable the Iron Patriot armour but there is still one force to contend with - the "also" mentally unstable Sentry. Finally losing all control, Robert Reynolds fully unleashes the Void after destroying Asgard and becomes a danger to the whole world. When even the might of Thor's lightning and the heroes empowered by the Norn stones seem unable to stop him, Iron Man remotely crashes the H.A.M.M.E.R. helicarrier on him making him revert to human form. Reynolds begs the heroes to kill him and when they notice he is again losing control over the Void, Thor does just that and burns his body on the sun. In this single event, Thor has shown the extent of his determination, Loki demonstrated that even he cares for Asgard's existence over his own plans, Iron Man and Steve Rogers made heroic comebacks and in the end, friendships seem renewed.
NO MORE SPOILERS
The Siege of Asgard, together with the X-men's Utopia stories, reset the Marvel Universe, preparing it for a Heroic Age, which seems to want to prove that after all the trouble, through the Civil War and the Secret Invasion, the superheroes can still find their old places in the world, as recognized defenders but also as friends with hopes of happiness. But any Marvel reader knows this will not be the end of the story, that problems will keep coming and the cycle will begin again, so all I can ask of the writers is that they do so in style, with the quality that Brian Michael Bendis showed in Siege. I must also make due reference to the amazing illustrations, penciled by Olivier Coipel or, in The Cabal, by Michael Lark. If not a masterpiece, in level with what can be done with separate, more independent graphic novels as Maus, Persepolis, Watchmen or even Sandman are considered (I still have to read some of those), I believe Siege is as good a novel as I've ever seen given its context.
I recommend Siege for all of Marvel's usual readers as I believe only those with enough knowledge of the current state of affairs in the Marvel Universe and of most of the characters can enjoy all that this graphic novel has to offer.

Sunday, 8 August 2010

Earth X by Alex Ross & Jim Krueger

Even though I had read it before, in the last 24 hours I started, finished reading and all but devoured Earth X. I must admit that when I first went through the book it was a fast, superficial read and I knew much less about the Marvel Universe than nowadays. Today, even when I realised I remembered at least a good part of what was about to happen in the story, I found myself unable to stop until I had read and laughed at Jim Krueger's afterword.
Earth X is an alternate universe where the reader can get a different look at the characters he might have gotten used to while reading classic or mainstream Marvel comics. The book starts as Uatu, the Watcher, has Machine Man aka Aaron Stack aka X-51 fly to the Moon to be his eyes to world, as he has been blinded by an yet unknown attacker. What begins as a struggle between the Watcher and X-51's human personality turns out to be a whole review on the origins of some of Marvel's best known characters, and the reconstruction of what happened in this Earth during the 20 years Uatu couldn't watch.
SPOILERS WARNING
In Earth X's present, all of humanity is mutated, Johnny and Sue Storm are dead, Reed Richards is a man broke with guilt, posing as Dr. Doom in Latveria, Tony Stark is locked from the world fearing mutation, the Avengers are Stark's robots, Bruce Banner is a kid riding on Hulk's back, Clea is Sorceress Supreme while Stephen Strange's spiritual form is dead, the Thing has kids and Thor is a woman. As if this wasn't enough for a shock, all the psychics in the world are dead, Wolverine is a fat lazy guy married to Jean's clone Madeline Prior (although he only finds out later in the book), Spider-man is forsaken while his daughter dangles around "wearing" Venom, Norman Osborn rules the US and Captain America looks much more old, tired and psychologically overwhelmed than even his century-wide age would predict. It is Caps' finding that the Skull is alive that starts the adventure happening on Earth as the reader watches as Uatu talks with X-51 and tries to stripe him of his humanity that he seemly sees as a flaw. The authors even found a good explanation for the Gods, Olympians and Asgardians alike, and through it a purpose even for Loki to be useful and for Ragnarok to be logical.
PLOT REVEALING SPOILERS
As X-51 tricks Uatu into letting him know of the Celestials' intentions towards Earth, he finds that the planet is hatching a Celestial, that it would be destroyed by it and that humans were enhanced by them to be its protectors. Aaron goes back to reveal the plan leading to the story's climax. The heroes come to the conclusion that mutations were caused by terrigen mists turning everyone into Inhumans and accelerating a process that was due to happen 200 years later. Because of this, the Celestials are coming to Earth to wipe its population. Captain America manages to be the hero and kill the Skull, the last mind-controlling entity in the World, a Celestial fail-safe to keep the mutated super-powered humans from killing each other and threatening the planet. Black Bolt sacrifices himself before the arriving host of Celestials sending a last call for the one being that has been known to counter them - Galactus, and although the true Galactus has been turned to a star, an unknowing Franklin Richards, having achieved the utmost evolution has been turned to what the Celestials believed him to be - Galactus himself. Tony Stark sacrifices himself to buy him time. In the end, Reed Richards burns the terrigen mists in the atmosphere, probably allowing for the mutations to revert. But as if all this wasn't enough, Mar-Vell appears and hints at the future, leaving a cliff-hanger of sorts that saddens me for not having the next books.
The whole idea of the Celestials being the "bad guys", of an evolution that links mutation with them but also explains how the gods came to be, as survivors of planets already destroyed and of aged, tired and depressed heroes appeals to me a lot, as a believable plot that doesn't hang on to what the usual reader expects or believes untouchable.
NO MORE SPOILERS
I must compare Earth-X with Watchmen for it is also set in a dark mood, a broken society and has an apocalyptic plot showing people's reactions and struggles, but also because it was, much as the later, able to keep me reading straight to the end, always exciting while keeping enough suspense right to the last page (a character even asks to be called Watchman so the reference was unavoidable). In spite of these similarities in the way they stand out from the regular comic books, these two novels are still very different in both the plot and the final message they convey. Going back and concentrating on Earth X,  Ross and Krueger achieved an almost perfect plot development, the building of the character's personalities and their interference in the whole story was amazing and although I'm not a big fan of the illustrations, I admit they are adequate for the storytelling tone. This might very well have been the best Marvel novel I've read to this point and I instantly went and added Universe X and Paradise X (Earth X #2-5) to my wish list and hope to pick them up as soon as I can.
I would recommend this graphic novel to readers that enjoy dystopias, reflections on the nature of humanity or even on the existence of good and evil and still like to see how depressing people can turn out to be while still able to rise to a life-threatening challenge, though with different motivations. But I mostly recommend it to people that are used to Marvel's characters, that know their origins and their personalities because the shock of seeing them all in this situation adds a lot to the novel.

Saturday, 7 August 2010

Um Catálogo de Sonhos by José Carlos Fernandes

When I found Um Catálogo de Sonhos (A Dream Catalogue) I instantly decided to buy it, not only because I loved A Metrópole Feérica, by the same author, but also because I was reading The Palace of Dreams by Ismail Kadare and I couldn't let the coincidence pass me by.
The novel starts off with a man finding out he's a dream pulled to reality out of the catalogue by Mr. Slumber. He manages to run away with the catalogue before Slumber can return him and his escape drives the reader through the story, while presenting characters as policemen, politicians, revolutionaries and others. With simple black and white illustrations, a small 48 page-wide story, and a few characters, the author uses a totalitarian regime in a society where dreams have been abolished and a dream catalogue to convey some ideas about the power of dreams.
The graphic novel is a quick and apparently easy read, but the metaphors and the implications left me feeling I should read it again in a while, to try and separate the dreams from supposed reality. In spite of having enjoyed it, Um Catálogo de Sonhos wasn't nearly as interesting and even astonishing as A Metrópole Feérica and perhaps having read it before made me expect too much.

I'm currently writing reviews on The Stranger and on The Palace of Dreams and reading some comics while I take a much needed rest from intensively reading The Grapes of Wrath.

Saturday, 12 June 2010

Free Comic Book Day Editions

As I said in my previous post, I went to Mundo Fantasma during the free comic book day event and bought some comics. With them, as a part of the event, you receive three free comic book day editions of your choice. I got Fractured Fables: "Red Riding Hood"; "Rumplestiltskin"; "The Real Princess"; "Raponsel"; "Hey Diddle, Diddle", Iron Man: Supernova (plus The Superhero Squad Show: "The Hulk in the Fixit") and Mouse Guard: "Spring 1153" (plus Fraggle Rock: "Boober the Doozer"; "The Birthday Present").
Fractured Fables is a compilation of jokes based on a few known children stories. I particularly liked the illustrations on "Red Riding Hood" by Camilla d'Errico and Edison Yan and on "The Real Princess" by Christian Ward. "Hey Diddle, Diddle" left me completely puzzled and speechless.
There isn't much to say about Marvel's free comic I but that Iron Man: Supernova was quite uninteresting and that "The Hulk in the Fixit" made me laugh out loud in the end.
Last but definitely not least, I must comment on Mouse Guard by David Petersen. As I know nothing about Mouse Guard, this small edition left me curious about the whole story and the art is so beautiful I am considering looking for and buying some of the author's works. If anyone wants to know more about him, here is a link to David Petersen's website.

Monday, 7 June 2010

Arcanum by Brandon Petersen

I bought this book on the Free Comic Book Day celebration at Mundo Fantasma, the one shop here in Portugal I still buy comics, if not for the price, which in Portugal is quite expensive compared to buying at Amazon.co.uk for example, definitely for the people working there, really helpful and and knowledgeable and to support the effort of maintaining such a business in a country with so little love for comics (yet, I hope). I knew nothing of Arcanum apart from the author, Brandon Peterson, from some of his Marvel works but the description of a story with magic and avatars always piques my curiosity.
SPOILERS WARNING
Arcanum has a good original beginning, with an Avatar running from others being accused of murdering one of them as you find they are all trying to find a new Avatar who´s own power is just awakening and scaring her. The plot in then developed as a pyramid, with the reader finding out there is a worse villain each time he thinks he has seen it all. It is interesting to see the story from the new Avatar's point of view, as she actually doesn't know a thing about what's happening to her. Eventually we learn that the good guys' leader is brother of the bad buys' apparent/initial leader, and this is the first of many clichés that plague the story in my opinion. Readers find that the Avatar of Darkness is being manipulated by a human wizard that has been alive for 800 years and wants the power of gods. Then we find that there is an even bigger villain, Death, who seems to see everyone's death as the one way to end humanity's and his own suffering and has been manipulating every Avatar to that end. As the Avatar of Life, the new avatar, exposes Death's plan, the Avatars run with their power through a portal to the god's plane and Death and a now powerless wizard stay behind with their plans frustrated. One point in favour of the story was keeping Death initially as an accepted neutral being and having an Avatar of Life without an opposing Avatar of Death (Death is described as a cursed immortal man, different from the Avatars) even though in the end it's Life that exposes Death's machination. 
NO MORE SPOILERS
I must say I enjoyed reading it, even while feeling the story was told too fast, finished hastily and was cuffed to some clichés. It was still quite interesting to learn the mythology created, the development of each group's relationship and the way the Avatar of Life reacts to her power, stands out for what she believes and ends up having a definite importance to the whole plot. The illustration is very good, adding a lot to the story and to help understand the characters' personalities.

Ratings(1-10):
Style - 7
Creativity - 5
Entertainment - 7
Relevance - 3

Overall - 6

I am still reading The Grapes of Wrath and I feel it's going to take me a while to finish it and I might read something else while I'm at it.

Tuesday, 9 March 2010

Dark Avengers/Uncanny X-men: Utopia HC

Dark Avengers/Uncanny X-men: Utopia is probably one of the best built Marvel HC collections I've read. It includes Utopia by Matt Fraction and Dark Reign: The Cabal, Dark X-men: The Beginning and two numbers of X-men Legacy. 
Even for one who knew nothing about the "Dark Reign", this was a very good start, being a great take on the theme, showing the X-men's role and Norman Osborn's scheme to take care of the mutants. It allows the reader to peek into Osborn's mind, to understand his behaviour and his plans for the humanity he somewhat and somehow leads. I was amazed by Emma Frost's part on the whole creation of the Dark X-men, her secrets from everyone, even the reader, her aims and preparations, and with how it all connects with Cyclops' program for the mutants he leads. 
Matt Fraction's Utopia is, in my opinion, the best written and the most engaging part of the book and Dark X-men: The Beginning was probably the least integrated part (unavoidably, given it consists of small takes on the recruiting of different characters), although still very important to understand some motivations behind those mutants that seem to follow Osborn and to see how he comes to surround himself with so many powerful people. 
I recommend this for any X-men fan and for all that enjoy reading about the Dark Reign arc, mainly for those who are curious to understand how the mutants came to be where, who and how they are now.

Ratings(1-10):
   Style - 6
   Creativity - 8
   Entertainment - 7
   Relevance - 4

   Overall - 7

I'm now planning to follow the Avengers and the X-men as much as possible, and I'll keep an eye on what Matt Fractions writes, he seems to know what he's doing quite well. And I expect this new turn on the X-men's destiny doesn't come to be another "history repeats itself" moment. I've read Mighty Avengers: Earth's Mightiest Premiere to get me started on the Avengers though I didn't enjoy it as much as Utopia.